Peppa Pig
Dom has recorded dialogue for Peppa Pig since 2007, building detailed familiarity with its cast, characters, production rhythms and creative teams across a long-running relationship.
Selected work
Credits show the productions; the work behind them is built through repeat relationships, familiarity with casts and characters, detailed preparation and the trust that grows across years in the room.
A selection of animation, dialogue, ADR and spoken-word work from a career shaped by long-running collaborations and performance-led recording.
Dom has recorded dialogue for Peppa Pig since 2007, building detailed familiarity with its cast, characters, production rhythms and creative teams across a long-running relationship.
Dom recorded dialogue for most of A Shaun the Sheep Movie: Farmageddon and was nominated as Dialogue & ADR Mixer, alongside the film’s sound team, for Outstanding Achievement in Sound Mixing in the Motion Picture—Animated category at the 57th Cinema Audio Society Awards.
Dom was the primary dialogue recordist on Arthur Christmas, whose ensemble cast included James McAvoy, Hugh Laurie, Bill Nighy, Jim Broadbent and Imelda Staunton. The work combined detailed character recording with the pace, continuity and responsiveness required across a major animated feature.
Dom was the primary dialogue recordist on Ron’s Gone Wrong, working across a cast that included Zach Galifianakis, Jack Dylan Grazer, Olivia Colman and Ed Helms. The film began an ongoing dialogue-recording relationship with Locksmith Animation.
Dom returned as primary dialogue recordist for Locksmith Animation’s That Christmas, recording across a large ensemble cast led by Brian Cox, Fiona Shaw and Jodie Whittaker. The production continued a trusted working relationship established on Ron’s Gone Wrong.
Dom is currently the primary dialogue recordist on Bad Fairies, continuing his relationship with Locksmith Animation on the studio’s animated musical comedy.
Across radio programmes, commercial voiceover, podcasts and spoken-word productions, Dom has combined recording, editing, sound design and mixing to shape clear, engaging work with a strong sense of pace, tone and audience.
Dom has recorded ADR for film and television productions ranging from intimate dramatic scenes to technically demanding ensemble and sync-led work. The focus is on preserving performance, maintaining momentum for the actor and giving directors and post teams clean, flexible material that belongs in the finished scene.
IMDb listing
IMDb provides an overview of some of Dom’s film and television credits. It does not include every production or every area of his studio work.